關於中國會，分享兩則是我親耳從主人家聽回來的故事。
1. 當時為了讓新裝潢有舊上海風格，Sir David 特意請人穿皮鞋於新地板上來回踱步至殘舊。
2. 當時曾梵志名不見經傳，但 Sir David 買了他作品後造框，個框仲貴過張畫。曾梵志知道後，感動不已。
見微知著他有多愛藝術。
藝術三月，Sir David 生前都會大力支持。我還記得大約十年前，他為 Art Basel 做了個錄像，幽默地回答 Katie de Tilly 的問題。那次應該是他最後一次參與 Art Basel，一切猶如昨天。
（圖：中國會開幕當天）
佢柒到del post跟住扮搏流量 笑撚死我
(For anyone who doesn’t know what happened, the charming lady here opened a post to mock the China Club and got roasted like a suckling pig)
鄧爵士係香港最後貴族，佢做嘅事跡為不少有心入華之士開啟東方之窗，而並非「標奇立異嘅東方文化」。
另外，China Club嘅陳設大小身價非凡，就連席上使用嘅餐具都係老匠人純工藝雕琢而成嘅銀器，鄧爵藝術品味獨樹一幟。
真係要普及。
好多無知盲毛網紅亂噏。
劣幣驅逐良幣。
Johnson Chang curated the China Club for Sir David Tang, filling it with a silent rebellion: Zhang Xiaogang, Liu Wei, Fang Lijun. In 1995, Diana of Wales, visited their show at the Peggy Guggenheim to support her friends. Her presence catapulted these little known artists into international fame. That world has now ended. The Princess and Sir David are gone. The provocateurs have become the venerable elders of a different age. The canvases remain, as testament to a vanished glamour
我有位姨姨係佢assistant . . . 佢位司機好經典！ 唔知點呢依家！
感謝有錢人spending their money right